18th Century Music

BERROCAL Consideraciones sobre la ensenanza musical privada en el Bilbao dieciochesco

Musicology / Feminism / Spain (History) / 18th Century Music History / 18th Century Music / Bassoon / Bilbao / Oboe / Baroque oboe / Bassoon / Bilbao / Oboe / Baroque oboe

BERROCAL Consideraciones sobre el papel del oboe en las \"Reglas y Advertencias Generales\" de Pablo Minguet y Irol (1752-1774).

Musicology / Spain (History) / 18th Century Music History / 18th Century Music / Oboe / Baroque oboe

Recepción de la música de Georg Friedrich Händel en España. El caso del archivo de música de las catedrales de Zaragoza y la intervención de los músicos Nebra

Baroque Music / 18th Century Spain / G F Handel / Harpsichord / Spain (History) / 18th Century / Spain / 18th Century Music History / Piano performance and repertoire / Ecclesiastical History / 18th Century Music / History of the Crown of Aragon / Music Archives / Keyboard Music / Music Reception / Zaragoza / Catholicism and music / Catholic Church music / Music Manuscripts / José De Nebra / 18th Century / Spain / 18th Century Music History / Piano performance and repertoire / Ecclesiastical History / 18th Century Music / History of the Crown of Aragon / Music Archives / Keyboard Music / Music Reception / Zaragoza / Catholicism and music / Catholic Church music / Music Manuscripts / José De Nebra

Pascual, Antón y Bato, los reporteros del siglo XVIII. El reflejo de una sociedad rural castellana a través de los textos de los villancicos

18th Century Music / Spanish Villancicos

De la sublimation en musique : David et Jonathan selon Charpentier et Handel

Gay And Lesbian Studies / Biblical Studies / Performance Studies (Music) / French Baroque Music / Baroque Music / Baroque opera / G F Handel / 17th Century Music / Theology and Music / Musical dramaturgy / Jesuit education / French Baroque Opera / Marc-Antoine Charpentier / 18th Century Music / King David / Handel / Music-text interactions / Text and Music / Music appreciation and reception history / Oratorio / King Saul (Hebrew Bible) / David and Jonathan / Rhetoric and symbolism in Baroque music / Dramaturgy and Musical Dramaturgy / Lesbian Gay Bisexual Transgender Studies / Music and Theology / Oratoria latina / Baroque opera / G F Handel / 17th Century Music / Theology and Music / Musical dramaturgy / Jesuit education / French Baroque Opera / Marc-Antoine Charpentier / 18th Century Music / King David / Handel / Music-text interactions / Text and Music / Music appreciation and reception history / Oratorio / King Saul (Hebrew Bible) / David and Jonathan / Rhetoric and symbolism in Baroque music / Dramaturgy and Musical Dramaturgy / Lesbian Gay Bisexual Transgender Studies / Music and Theology / Oratoria latina

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